supported by: raresh, zip, ricardo villalobos and more.
noidoi are back on track! the romanian invaders team up with their second ep on our beloved sublabel love letters from oslo. after their last ep dupa joi on oslo, which was released just a short while ago, the masters of puristic funk are back again. inainte inapoi iar starts with a randomized and funky off-beat snare drum, which morphs into a deep and massive bass break anthem. then, the simple but classy melody pads lead into a typical romanian house groover, which is distinguished by his complex drum patterns and edgy percussion. the second track peloc, made of a playful oldschool melody, reminds on the good old times back in the days. a solid tool for unique moments, which can be big, if used in the right order!

pizza is the 6th release on dont be afraid, coming hot on the heels of mr. beatnicks synthetes ep and semteks west acyd shelter. the first track on the 12 inch, pizza, combines disco, techno and acid house elements on a broken funky base. goons is a mean little track with caper-like 303s and a bumping trumpet bassline, backed by sweet drum machine beats. dj 3000 takes the fundamentals of the original and replaces them with some of his own locally sourced detroit ingredients, including a euphoric rhodes and some rich pads, to create a peak time banger for fans of dirty bird and the like.

from her first single >dillema< (100% pure) - that became ibizas 2004 summer anthem - all the way to this release, shinedoes internationally recognised for her personal fusion of sounds and genres to create warm funky grooves for the dancefloor.

the notorious guillaume & the coutu dumonts makes a triumphant return to circus company after last year’s critically acclaimed album, breaking the fourth wall, with 3 deeper than deep (s)explosions sure to become omnipresent fixtures in the sets of damn near any dj with even a shred of good sense in the months to come. >ubiquitous gaze< gets the ball rolling in classic coutu dumont style with a rollicking sea of percussion thankfully populated with a few desert islands of respite in the form of a gorgeously lush string and piano arrangement and the soft meandering monologue of a certain well known musician discussing his craft. b side leader >youre the one< comes on strong with a bouncing d-town bassline and soft stabbing chords that would make kenny larkin proud before rolling out a high stepping lead organ and swinging vocal chops before tying the whole funky mess together with one of his trademark charging conga lines. known for his unbound generosity and proving it here once again, a beatless stringapella of >ubiquitous gaze< closes out the flip in fine style for those inclined to ride this one into a full epic journey territory. yet more proof, as if any were needed, of guillaumes place at the very top of the mountain called house

after the last release for ec and paul ritchs quartz label, michel de hey and m.i.r.k.o. are back on hey! joining the forces are none less than rodriguez jr and juan sanchez. after a great summer for michel with his hey! events in clubs, beaches and festivals, it was time to deliver that vibe to the label again. with this new ep that mission is easily accomplished. the original tracks are typical for michel, tough but funky and made for the dancefloor. all tracks have proven their value at numerous nights, with >give me a light< as an anthem for (the now closed) catwalk in rotterdam, whilst the original version of >waiting and waiting< has proven to be a great closer to his festival sets.

what it happened again? but we still dont know! all we know is that once in a while every successful couple - and even passionate lovers - needs a break from each other. so this time, you get david woods on the green alone. no tiger around. just another man and his caddy. nevertheless, he has the >license to drill<, a >slazenger 1< in his pocket and >1:00:00< to kill. track after track after track by a true crack. funky peak time!

montreal imprint swing and skip drops its second 12 inch, featuring tracks from hotly tipped manchester producer damu, label head hgldt, and producer resketch on the remix duties. riding high from much media attention, serious dj support, and killer releases on local action and keysound approaching boiling point about now, damu grabs the headlines with >2010<, a deep funky roller combining the producers trademark mix of house, garage and eski influences. s&s captain hgldt delivers >knowing you< on the flip, a smooth and melodic house-x-garage jam supported by many, first on the list since months back being dusk & blackdown. finally, resketch follows up from his recent well rounded 12 inch with a remix of >knowing you<, going in for a deep and heavy garage-meets-dub techno hybrid.

rolling funky grooves galore! marcel sterling finally finished his long awaited debut on style rockets limited. with a furious tech house 4 tracker full of percussive grooves and hypnotic deep basslines. all killers no fillers.<br >early support by: axel bartsch, butch, david keno, dualton, hanne & lore, m.in, monika kruse, nic fanciulli, rene bourgeois, the junkies & many more!

the original track is already a club anthem but that didnt stop emalkay from stamping his hallmark, head-smashing bass-lines all over the place. whilst roska, on the other hand, does what he does best flipping caspas infectious synth horns into a lustrous funky affair with a lethal combination of dancefloor drum-lines and his incredible sub-driven synth jabs. proper party music!

extremely welcome reissue of one of the shining stars of the boogie firmament - the hugely funky >its you thats happening< from little known band exquisite taste. originally released on tiny new york label starlite back in 1984, this was exquisite tastes only output but what the band lacked in quantity they made up for in quality. a near-perfect example of that early 80s boogie sound, this has it all - insistent mesmerising moog synth riffs, clean crisp percussion, layers of summery vibes and superb catchy vocals combine to make this an unstoppable dancefloor sensation. and thats just the vocal... on the flip, the instrumental is stunning with a sparser arrangement which highlights the grooving bassline, funky guitar work and echoing hypnotic drumwork. with the original 12” virtually impossible to get hold of, this quality reissue is an absolute must-have!

marco fender is showing his talent to combine groovy, colourful and funky elements with soft vocals. lets get deep!

rob sparxs original mix kicks off with a funky 2-step riddim, layered with soulful guitar licks, penetrating synths and some extra deep bass to get you moving. the tune progresses into a super-funky, filtered disco beat leading into a high-energy buildup that will have any crowd going nuts. the drop combines beautiful haunting vocals, brain-rattling bass and sexy synth stabs in a >purple< fashion that has already made an impact on dancefloors worldwide. not to be taken lightly, this ones a heavy-hitter and still maintains its class!

mikael stavöstrand (lick my deck, clink, highgrade) spent a few days in berlin recently, so why not get him over to the we are hq and work on some tracks with agaric, right? the boys first track is a deeper bass driven techno track interchanging grooves and eerie strings and percussion arrangements whereas the flipside on this limited 10 inch goes more funky and presents a surprising vocal bit where vealchop out of los angeles asks himself why certain things went the way they did! already tried and tested to excited crowds in clubs like 1001 london, rex paris and tresor berlin...

isn t it astounding how musikkrause manages to change direction? on one hand you can find albums from feindrehstar and ian simmonds, as well as a number of diverse features. maximum is the catchword. who can bring bona fide, raw, full-service techno for a deep seated mind fuck? berk offset of whom the technoiden world out there is no stranger, has the answer at the ready with a 2x funky, dada techno for culture-drunks and solar plexus-beatniks. the flowing lyricist rainer maria silke is known as the techno-activist part of two duo s. together with the japanese tanaka hideyuki he celebrates an abundant frizzle-fest ornately, bound with alex kork under the handle error as cannibal cooking club to a freaky loud industrial-techno with an experimental edge. added to that he is a manager of the label 9volt-musik which blithely ignores the trends but instead serves a challenging techno sound. the raveline supported, 22nd release from their catalog stromberk recently bagged a record of the month! for musikkrause berk offset mimes the dead doris with a filthy straight-lined techno avant garde for a life in the dance floor heavens. he is the charming psychiatrist with the melting grin and the right medicine in his frock, who muses from time to time over the effectiveness of shock therapy.

house bound sampler 1 with inland knights, giom and robert boogert !! drop music, one of the uks most respected and longest running >underground< house imprints present a nine-track album of brand new and exclusive music from a blend of the scenes new, most exiting and respected names. >house bound< sees industry stalwarts inland knights, phil weeks and asad rizvi appear alongside rising stars freaky behaviour, robert boogert and the sound diggers while the ever reliable giom, kinky movement and larry fives gel it all together. the emphasis been all original new exclusive one off tracks with no remixes or third track ep padding. they ve all been road tested by the inland knights and meet the quality seal of approval. as always with drop music releases, the focus is on making the dancefloor move to their trademark funky and bumping >midlands< brand of house music. drop music is now in its 12th year having released almost 75 vinyl eps from artists including label bosses inland knights, the littlemen, james curd, crazy p, joshua heath, sonny fodera, jake childs, manuel sahagun and many more.

splatter is a producer from merida in mexico, with huge reconition in central america and europe. his style is deep and sinister inspired by the world surrounding him. an abstract experience, mixed with unusual non-linea structure base. mike walls productions sound like the perfect fusion of techno and groovy house. creating his own style of techno is the reason he is doing fantastic live sets as well including all the different sound structures, glitches, bleeps and basses he s interested in and let him feel balanced. this release is inspired by splatters summer holiday in copenhagen the summer of 2010. the release features deep and exotic basslines wrapped with glitches, funky noises, and hypnotic drones. a solid composition for the after hour specials.

the guy on the couch is the new project of andy rk and the infamous duo of the analogue cops. >golden lady< is a techno flavored house e.p. that will blast every dancefloor. it has been written, mixed and produced at the restoration headquarters with the use of any computer. the tracks has been premastered by the analogue cops in their raw and compromiseless way.
the short a side is so mighty that it has the power to stop time. the beats are tight and the influence of the artists of the second detroit wave is vivid.>the last word< is an evocative deep house track enriched by numerous samples of old crispy records. smooth and addicting, its a late night tune.>drei hunde< has a funky hypnotic groove that set off a wild pitch hook. just six minutes of danger.

emphasis recordings is proud to present the latest tang single, >bass synergy<! the title track continues in that chicago/detroit vibe that we all come to know from tang. it starts off with a bass heavy, industrial styled, drum programming before a pulsating bass comes riding along a funky melody. just when you think you got the beef of the track, things break down to rumbling arppegiated bass roll. then boom! both basslines and percussion come back in for the for the finish! did i mention theres strings?

uplifting techy uk funky & heavy dubstepping ep

toronto based noah pred brings back the funk with his clever brand of booty shakin swung out techno house. noahs style has gone through many stages of evolution of the years having recorded for a ton of different labels over the years from consigned, intrinsic, morris audio to his own imprint called thoughtless. this collection of tracks is by far is grooviest work to date definitely fitting bulls eye into the sound palette of cynosure recordings. lesser lights, remember the embers and all day long were all meant to fit together all having the same elements of what makes a great tech house ep. funky swinging drums, hip flexin bass and a blinding lead hook. noah achieves this with cunning style and brings the minimal funk back where it belongs …

limited edition clear blue vinyl. tracks taken from the digital album >all ya breakz<. includes tracklist-sticker and flyer, but no poster anymore.

barcelona is hip, barcelona is beautiful, barcelona is funky. if you dont believe us, check out these fantastic tracks by cardova. on one hand there is the speedy >baccarra<, the ideal soundtrack to your anxious search for the last tickets for the footy, with a nice little nod to the fab four. and then there is that doo-woppy and soulful cover of, err, omds >enola gaye<. now this is what we call calite!

achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

did you ever hear about christian strobe? no? hardly surprising, cause its a brand new solo-project by christian schnall, one half of disco trash music (maximal electro) and spruce (dreamy shoegaze). the german guy is musically rooted in the 80ies and early 90ies and as christian strobe, he combines airy new wave pop, retro-futurism with a pinch of house. the original mix of >midnight call< is full of magic, desire and an airy atmosphere, but still a simple pop song. the nightdrive version is recommended for nightly rides with your ferrari testarossa through big city lights. the italo-disco-pop-masters from codebreaker gives the original a funky french taste and reknowned keenhouse conjured a good-feeling remix with lovley summer-piano-chords. midnight call? you could name it sunshine call! in a more and more digital environment, the warmth of the analog vhs-tape version gives you the relaxing mood you need. the placid >lonesome astronaut< completed the debut-ep and takes you to a cosmic trip though time and space. stay tuned for the upcoming full-length album called >heartworks< in autumn 2011.
comes with code for free digital download of this release.

exzellente remix-ep mit funky afro-house-dancefloor-remixes von quantic plus traditionelleren afro/dancehall-neuinterpretationen von jesse hackett & hello skinny!

stiring the melting pot, the multicultural congregation of los charly s orchestra (lead by juan laya & jorge montiel) keep crafting their unique fusion of funky grooves and tropical disco vibes.
containing 4 tracks on a limited 12 inch vinyl edition, this release is definitively the consolidation of 4 years development of a sound which has finally accomplished their optimum point and its ready to take off. uk soul singer stuart lisbie delivers the vocals on >dancing on the scene<.
think in roy ayers meets salsoul orchestra, earth wind & fire & fania all starts, the fusion is all in there… from a contemporary point of view…

single sided white-label of this 1980 funky disco classics.

old chicago house heads trade mixes with ambient star. shifty sciences take on bvdubs track is euphoric dubbed out chordy house. bvdub does a very house version of shifty sciences track, which is more funky than you wouldd expect. limited hand-stamped release.

the eighth release of >lets get lost< which is started by mule musiq and force of natures kza. this release is our favorite portuguese artist johnwaynes again. a side is dj friendly edit of famous cosmic classic >pili pili<. b1 is beatdown house remix of garage classic >funky sensation<. if you like the production of mcde or dj nature,you will love this song. b2 >slyadub< is modern reggae house

hailing from melbourne australia. cubist featured in knowledge magazines top 10 producers to watch out for in 2010. cubist is now launching his own label – colours recordings. his music is supported by grooverider, dj hype, dj die, dj brockie, nicky blackmarket, doc scott, fabio, dj ss plus many more. cubist comes with the freshness for rgb001. smacking popping drums and a sneaky dirty bass line makes action pack the punch. it will fill the hole in your record bag thats been waiting for a tune like action. with a funky haunting vocal hook >watch your action<, this tune spikes, rolls and bounces in all the right places. with support from grooverider it is guaranteed to bring the freshness that you need. with similar hard hitting drums. baby brings the funk. influenced by the sounds of full cycle, babys mesmerising whooping baseline will get the dance floor grooving. with its west coast hip hop vocal samples and bass switch up. baby has the all the ingredients necessary to groove. cubist records all his drums in his studio. he has previously released with grid recordings, advisory plus more. his latest tracks are getting support from heavy hitters such as grooverider, crissy criss, nicky blackmarket, dj die plus many more…

one of the leading figures in the modern house and techno movement, patrick chardronnet returns to audiomatique with another surefire weapon for the summer. >pleasant day< is perfect for the open air season, yet contrary to what its title suggests, its a dark, funky and freaky tune that carries many trademarks of the audiomatique sound. liquid synths and acidic bass fused with modern drums are all precision engineered to the super high quality level youd expect from chardronnet. the lush and divinely deep >aim< takes us further into the sound capabilities of this seasoned studio hand. fluttering, tropical moods soar through colourful layers of dubbed synth textures and strong, surging bass

the second release on the forefront label is the pyramids ep from teenager nkc. the pyramids ep follows up on his debut release on awkward movements unleashing four tracks built for the dancefloor. the release has been gaining widespread support from the likes of bok bok, lil silva, marcus nasty & hard house banton along the way. >partisan efforts< kicks off the ep with carnival vibes, combining a jacking uk funky skeleton with uplifting pads and vocal samples. meanwhile >the pyramids< follows up on a tougher tip bringing together booming sub bass with rolling snares for maximum dancefloor impact. the b-side leads with the heavyweight >sellout< which brings laser-like stabs and uk funky drums together to create a powerful track thats surefire rave material. >untitled< completes the release with rolling percussion on a four to the floor backdrop combined with reverberating, percussive synths.

iberian records feature on their seventh release an ep from migrant (aka 23hz) who comes with three slabs of soundsystem funk and groovy vibes. >limbic sistim< kicks off proceedings with a building arrangement into a catchy vocal lick – all underpinned with tight beats and warm subs. >acid sumatra< works on a similar tip but ups the tribal and percussive pressure on a deeper insistent rub. whilst >pipe club< brings some classic two-steppy flavours into the mix but cleverly reinforced with massive sub weight. these three tunes are taken from migrants forthcoming album, also entitled >exit plan<. more bass n groove from the lisbon and barcelona based label that should find favour with the deeper end of both dubstep and uk funky scenes.’ early support by scratcha dva, ghosts on tape, kid606, chrissy muderbot, cardopusher, slackk, mesak, phaeleh, deville, bunzer0, throwing snow.

seiji – the much-lauded and respected producer from west london – returns with the penultimate part of his 2010-launched seiji series. having successfully explored a career path thats established him as a founding member of broken beat originators bugz in the attic, a key artist for the seminal jungle/d n b label reinforced, a downbeat solo artist for sonar kollectiv and a producer and co-writer for the brilliant roisin murphy, in 2011 seiji is a man focused squarely on the dancefloor. the seiji series is just one part of that with seiji stripping things right back, identifying each release with a simple number and putting all his energy into creating music that he truly believes in. a merging of sounds and influences that have always been with him, but have never sounded so right – encapsulating everything thats exciting about the underground uk scene at the moment. as with the previous two releases, seiji 4 is a double a-side focusing on the current uk house sound, a bit soulful, a bit funky a bit jacking, with two solid heavy grooves that are going to work on any house dance floor. no other has a really soulful vocal sample, a rolling reese bass riff and percussive uk house beats. easy is more of an infectious skippy house groove with a chunky bass hook and deep techno pads

funky , disco driven vocal house

we are happy to have a follow up of m.in on trapez ltd in collaboration with his fellow mate jonas fahz. the duo has released together already under their pseudonym of mucky pups on the trapez ltd 100 anniversary compilation in may. their a-side welcome to my house features again a jack track, produced and written this time by a whole team including: m.in, jonas fahz, peter eilmers and featuring nick maurer on vocals. bringing together old school and new school this was also the idea with m.in s debut a-side track teach me house . welcome to my house instead has more of a live jammed attitude to it... in this respect it is meaner, rougher and tougher as the predecessor! the alienated and twisted voice of nick maurer adds a psychedelic feeling that keeps you making funny faces to yourself . delgardo has been a long time favourite of m.in and jonas, it is an approved dance floor track, and indeed a slow moving... but funky rocker. fuelled by vocal snippets and fx sounds... the beat goes non stop beat non stop ! elephant blues is the favourite track of m.in and a bit of a mad and deadpan track. fitting very well to the actual chart breaking tunes that spread like a virus in the underground scene, this could be the most modern of the three tracks. equipped with a strong drive, whipping its percussion line into oblivion it is a sexy track. the original 3 tracks are Êsupported by alex piccini with a cool post detroit remix of welcome to my house and well as heartik who has speeded up elephant blues turning it into a cool techno- rush of a track.
played by: martin eyerer, stephan bodzin, timo maas, fra soler, orde meikle/ slam, hot chip/ felix, dj madskillz, paco osuna, steve lawler, ronan portela, lee pattison (deepgroove), patrick pulsinger, axel bartsch, beatamines, f.sonik, jules de pearl, taster peter, kiko, marcus sur, toni d, freska, zidan, scott byrne, danny tenaglia ...

bite sized beats vol. 4 brings back the kentucky fried duo corduroy mavericks to partake in a deep fried fandango. some jams are fantastically tasty on their own just like a lot of your favorite foods, but sometimes you take that extra step by battering it, and throwing it in the deep frier till its a nice golden brown. that is just what c-mavs did to a stevie wonder classic on their crispy bit >funky jazz<. they fried that bitch up just right and shot the flavor units through the roof just like the miracle of a deep friend twinkee.

self defence returns in full effect with new yorks one and only dj dukes (of sex trax / power music fame) >summer madness ep<. dj duke had retired from the music front for a while, after he had about 300 records emerged after his >blow your whistle< blew up in 1993 and during the past few years. with releases dating back to 1990, you know the mans got skills aplenty, and they once again get a killer workout on this ep. each of the tracks shows a different side of his music-making and rewards ones time and attention, demonstrating that duke plays in his own league of house music. a bit of curry flavour seeps into >summer blast< by way of a sinuous string melody, adding an exotic tinge to the breeziness that otherwise infuses the cut. a funky, vibes-like motif and analog synth streams bring additional colour to the scene while a crisp, pumping groove locks everything solidly in place

sampler 12inch from degos (4hero) forthcoming cd on 2000black >a wha< him deh pon? a1: late night fright - heavy track, growling synths with quick percussions and a deep kick drum piercing through. big! b1: love & hate you - slower beat, with a hypnotic synth line. awesome vocals and a funky, deep bass!! brilliant! b2: not in my disco - again with a hypnotic synth, funky and super deep bass! drums and percussion are excellent, shuffling throughout the song with feel of garage about them

the partnership between artists john selway and dave turov spans not only across the atlantic, but it has also resulted in a series of successful colla-borations on their label csm. the debut release on the interpull imprint showcases their signature no-nonsense, dance? oriented techno. expanding on their previous work, >choo got it ep< carries with it a modern take of classic in? uences from chicago, detroit, and berlin. this release is marked by just as much stylistic skill as it is by their technical skill: both selway and turov put the highest production values possible into their releases. the a-side of the ep, >choo got it<, grooves hard with an upbeat rhythm and a bouncing bass line that refuses to let up. combining funky house elements and a raw driving techno pace, this is the kind of track that either gets you on the dancefloor doesnt let you off once you hear it go on. the b-side, >way to my heart<, presents a darker take on the ep with plentiful bass and restless energy. it provides a cavernous sound thats happy to shake your techno cathedral of choice

from his roots in early italo disco , a sound that inspired him since his childhood, this mysterious producer comes out with a genuine gem of pure balearic and disco mood, among the use of real hardware and various instruments creating this classic extended disco version that sounds in an actual disco edit style, even if the song is brand new. leading the voice is the huge, a magical voice and multi instrumentalist from italy: the combo between the two is explosive, mellow and at the same time light and pure. then the remix by melchior sultana, famous for his collaboration with owen jay on jus eds label (underground quality), creates a magical and elegant slow tempo version, chilled and funk at the same time, with a totaly new mood and some real rhodes and guitar played and sequenced in an akai mpc sampler. last the house electro disco dont play minimal, play minigolf, that follows a hypnotic mood bass synth, accomplished with ethereal chords and a super funky trumpet, sampled directly from will powers masterpiece of the early 80s…. ta ta taaa

what a day indeed! fresh blood on the label puts a smile on our faces. this young italian had us dancing from first demo and here is the finished result. welcome to the family riccardo! deep, sexy grooves with that vital element of funk weare always on the hunt for. a modern sound palette sporting percussive grooves, vocal snippets and soulful harmonies. the title track comes with a rolling bass line, disco licks and an organ hook to get the groove on. typinic on the flip is built beautifully around vocal stabs, filtered keys and floating harmonies. the sound is very personal and riccardos mature sense of arrangement and room is impressive. quality deep all the way! equally exciting is our rmx pack from up?n coming producers mario aureo out of berlin and dimitri andreas hailing from brussels. mario turns up the heat on the title track with a firm beats package and very tasty use of the original keys. a true viber now, irresistibly funky. dimitri takes typinic to peak territories with a shufflesque groove, thick bass and sax stabs. just wait for the drop

freaky oldshool psychobilly music. thats the best words for mentalics style at the moment. listen to his funky >jukebugs< vinyl. summer-burner

big with: oxia, dani casarano, pirupa, butane, monika kruse, pacio osuna, luciano, andrew grant, gregor tresher, kaiserdisco, dubfire, mihalis safras,... for this new time has changed release, we are happy to welcome soukie & windish. the german duo brings us in a storm of deep & freaky house.>taylor< is a strong track, smart & trippy, served by a great baseline. our mate gunnar stiller made a remix more dynamic and freaky, a beautiful underground vision. acumen & timid boy choice an hypnotic way, full of little groovy elements, really funky, a kind of strange panorama bars dream.>yellow ride< goes on a quiet and mellow universe: its a beautiful deep house piece, full of sensibility.findling made a dubby and dreamy remix of >taylor<, perfect to conclude this ep.the beautiful adventure of time has changed goes on…

jazzy funky house music from joey negro!

last year breakbot delivered valentines day perfect soundtrack. hes back with this summers anthem fantasy r.i.p mj, say h.e.l.l.o to l.as ruckazoid whos singing on this new single from our funky bot. arthur baker, jacques renault and carte blanche on the remix side, we cant go wrong. yes, this summer will sounds better with breakbot (again) - vinyl + download card

strike a pose! the fruit of the first labours of the third side (marieu, steffi, lucretio) with nd_baumecker is breathtaking and bewitching. the two gems on this 12 inch are recorded live in a single and unique take on a quarter inch tape during a moist afternoon at the beginning of the spring. this is a sound of passion and devotion. >retro vogue< is a dancefloor smasher with hooks and beats from the streets, that come from the past but that have been technologically reworked with artisans skills in a glamorous phrasing. >burning< is an house anthem that discloses, beneath his shining surface, all the darkest inspiration of this crew, from chicago, to berlin, via detroit. funky percussions and seductive synthesizers merge together in a blaze of radiance